GAME AUDIO · MELBOURNE, AUSTRALIA
Sound design, implementation, field recording and music for games and interactive experiences.
Explore Selected Work01
01.1
GAME AUDIO · MUSIC · UNITY
Sound Design & Music
Original sound design, music and interactive audio for the gothic adventure game.
AGDA 2024 FINALIST
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01.2
VR · GAME AUDIO · FMOD
Lead Sound Designer
Sound design, interactive audio and environmental systems for a VR experience.
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01.3
VR · UNREAL ENGINE · METASOUNDS
Sound Design & Technical Audio
Procedural propulsion, weapon and movement systems built using Unreal Engine MetaSounds.
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01.4
TECHNICAL AUDIO · WWISE · UNITY
Sound Design & Technical Audio
State-driven environments and parameter-driven interactive audio systems developed in Wwise.
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Interactive audio systems designed around gameplay, responsiveness and player experience.
RTPCs · States & Switches · Blend Systems · Profiling
Parameters · Events · Adaptive Audio · Mixing
MetaSounds · Blueprint · Procedural Audio · Runtime Control
Implementation · Runtime Control · Interactive Audio
SELECTED SYSTEM
RUNTIME PROPULSION CONTROL
Blueprint-driven propulsion control connects gameplay behaviour directly to the procedural audio system, driving engine parameters including compression and afterburn behaviour alongside haptic response.
PROCEDURAL AUDIO SYSTEM
Procedural engine architecture built from interconnected synthesis and processing layers responding to runtime propulsion controls.
MODULAR SYSTEM DESIGN
The turbine system is encapsulated as a reusable MetaSound Patch with exposed controls for afterburn, combustion, compressors and turbine behaviour.
TECHNICAL CAPABILITIES
03
Original source recording forms a core part of my sound-design process.
From mechanical and industrial material to environmental, creature and experimental sources, recordings are captured with their final interactive use in mind.
LOCATION RECORDING
FIELD RECORDING
Capturing large-scale impact and industrial source material for use in designed sound.
FIELD RECORDING
Recording high-energy transient material with multiple microphone perspectives.
SOURCE RECORDING
Motors, machinery and mechanical movement captured as source material for editing and transformation.
ON LOCATION
MACHINERY
EXPLOSIVES
SPECIALIST RECORDING
VEHICLE / MECHANICAL
ELECTRICAL
Source recording at Scienceworks.
FOLEY & PERFORMANCE
PERFORMANCE
FOLEY
LOCATION RECORDING
04
Original music for games, cinematic sequences and trailer work.
Composition spans electronic, cinematic and hybrid production, combining synthesis, sampling, orchestral instrumentation and sound design.
Music is developed around the visual identity, pacing and interactive requirements of each project, from linear scoring through to parameter-driven music systems.
CINEMATIC SCORE
INTERACTIVE MUSIC
Music designed as part of the interactive audio system.
Original music for Salaryman Rescue was implemented in FMOD with parameter controls for pitch, EQ and level, allowing playback to be dynamically shaped during gameplay.
SELECTED MUSIC
05
I design sound for games, VR and interactive media.
My work combines sound design, field recording, music composition and technical implementation to build responsive audio for interactive experiences.
AVAILABLE FOR PROJECTS & COLLABORATION